And really, if it were professionally polished, would Astrud’s voice still have that lovely understated wistfulness?
And if there were more to the lyrics, would this play on rhythms (of women’s swaying walks, no less!) be as much fun?And would this song be ruined by those who forget that often, less really is more?
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Fear doesn't travel well; just as it can warp judgment, its absence can diminish memory's truth. What terrifies one generation is likely to bring only a puzzled smile to the next. --Arthur Miller, "Why I Wrote 'The Crucible'", The New Yorker, October 21, 1996
All opinions here are the brain-wrackings of Sabina C. Becker, unless otherwise credited. If you cite them, please give credit where due.
Suck it, haters. Feminism rocks!
Totally delightful, thanks.